Refined Violin Virtuoso
Slovak Philharmonic
Orchestra
Orchestra
Dubai, UAE
Brahms’ Violin Concerto in D Major is the composer’s sole contribution to the genre and was written between 1878 and 1879. Brahms, a successful and renowned pianist of his time, did not play the violin himself, therefore relying on the advice of his friend, Joseph Joachim, one of the most important violinists of the era. Joachim did not only contribute from the perspective of a soloist who was to play the concerto — a work that, with a highly symphonic score, went far beyond contemporary conventions — but also as the author of the cadenza that for this concert is played by the internationally renowned violinist, Gil Shaham.
Shaham is also the soloist for the contemporary offering by Alexey Shor. Shor’s cycle for violin and orchestra, ‘Seascapes’, allows the violinist to showcase his virtuosity and refinement of sound, particularly in the second movement ‘Lonely Sail’ — a musical tableau in which Shor captivates the audience with an almost cinematic description of the constantly changing moods and varying colours of maritime landscapes. Hearing the heart-warming melody of this movement brought to life by Shaham on his Stradivarius dating from 1699 is an experience not to miss, especially when accompanied by the Slovak State Philharmonic under the baton of Sergey Smbatyan.
Pyotr Tchaikovsky showed special interest in literature and was particularly devoted to the plays written by William Shakespeare. It is not surprising, therefore, that he chose ‘Romeo and Juliet’ as an inspiration for his ‘Overture-Fantasy’. With longing romanticism and beautiful melodies, the music introduces listeners to the most important characters and situations of the play. Tchaikovsky’s composition, a hauntingly beautiful example of so-called programme music, was one of his earliest successes and the first of his works to be embraced by the members of ‘The Mighty Five’ — the five prominent 19th century composers Mily Balakirev, César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin.
Sergey Smbatyan is the Artistic Director and Principal Conductor of the Armenian State Symphony Orchestra and the Principal Conductor of the Malta Philharmonic Orchestra. An avid popularizer of classical music, the conductor has an extensive international engagement, and is committed to rejuvenating the classical music audiences and the promotion of contemporary classical music globally.
Born into a family of musicians, Sergey Smbatyan took his first steps in the world of classical music under the guidance of her grandmother Tatyana Hayrapetyan, a distinguished violin teacher, followed by his education at Komitas State Conservatory of Yerevan and Moscow State Tchaikovsky Conservatory.
Subsequently, in 2012, he furthered his academic journey at the Royal Academy of Music, studying under Sir Colin Davis. His studies under the guidance of Riccardo Muti and Valery Gergiev significantly influenced and enhanced his proficiency in conducting.
Sergey Smbatyan's conducting career was highlighted by his debut performance with the London Symphony Orchestra at Windsor Castle, under the auspices of Prince Charles, now HRH Charles III. The impressive success of this concert led to a subsequent invitation, where he conducted the Philharmonia Orchestra at Buckingham Palace.
Sergey Smbatyan's extensive international involvement as a conductor and his distinctive appreciation for contemporary classical music has led to a wide array of collaborations with globally acclaimed composers, such as Krzysztof Penderecki, Tigran Mansuryan, Arvo Pärt, Gia Kancheli, and many others. Among such notable endeavors were the large-scale projects conducted with John Malkovich in several countries of Latin America and Asia. Led by Sergey Smbatyan and accompanied by the Armenian State Symphony Orchestra, the iconic Hollywood artist delivered a unique musical performance in Yerevan, presenting a reading of excerpts from “The Book of Lamentations” by the medieval Armenian poet Grigor Narekatsi.
The conductor serves as the artistic director of a number of annual music festivals, as well as the Khachaturian International Competition, to which the category of conducting was introduced through Sergey Smbatyan's initiative. Among the festivals founded by Sergey Smbatyan are the Khachaturian International Festival, which aims to uphold the legacy of Aram Khachaturian and other famous Armenian composers, the "Armenia" International Music Festival, which hosts world-renowned virtuoso musicians to perform in Armenia, the Penderecki Contemporary Music Festival, which showcases the works of contemporary legendary composers, and others.
Sergey Smbatyan is the founder of the "Music for Future Foundation (M4FF)”, which is committed to discovering young talented musicians and fostering their career advancement.
He strives to champion innovative approaches in the classical music industry, consistently seeking creative ideas and solutions in implementing various projects. During the opening ceremony of "WCIT 2019," the largest IT Congress for innovators and entrepreneurs, hosted in Armenia, an international orchestra performed an AI real-time-composed musical piece under the direction of Sergey Smbatyan.
Sergey Smbatyan releases recordings with the Armenian State Symphony Orchestra on their own "ArmSymphony Records" label and is actively involved in recording contemporary classical music with the London Symphony Orchestra and other orchestras. His recent engagements include the album of spiritual music "Ave Maria" recorded with the Malta Philharmonic Orchestra and the world-renowned tenor Joseph Calleja, released under the "DECCA Records" label, the album “Aznavouriana” by Deutsche Grammophon with the Armenian State Symphony Orchestra and cellist Camille Thomas in commemoration of French-Armenian singer and composer Charles Aznavour’s 100th anniversary.
In recent concert seasons, Sergey Smbatyan has served as a guest conductor with leading orchestras, including the London Symphony Orchestra, the Philharmonia Orchestra, the Warsaw Philharmonic Orchestra, the Dresden Philharmonic Orchestra, the Israel Philharmonic Orchestra, the Prague Radio Symphony Orchestra, the Mariinsky Theater Symphony Orchestra, the Slovak Philharmonic Orchestra, and many others.
As the conductor of the Malta Philharmonic Orchestra, Sergey Smbatyan embarked on numerous concert tours and performed at prestigious venues such as Carnegie Hall in New York, the Kimmel Center in Philadelphia, the Munich’s Gasteig , Vienna’s Musikverein, the Berliner Philharmonie, and other renowned concert halls.
In 2023, he led the Armenian State Symphony Orchestra on a grand UK tour, dedicated to Aram Khachaturian’s 120th anniversary and in 2024 on the orchestra’s debut tour in the United States with the performances at Boston’s Symphony Hall, New York City’s Carnegie Hall, and Los Angeles Music Center’s Walt Disney Concert Hall.
Highlights of 2024/25 season include concerts with the Madrid Philharmonic Orchestra, the Ontario Philharmonic Orchestra, the Krakow Philharmonic Orchestra, and the Shanghai Philharmonic Orchestra as well as performances at Salle Gaveau and the Cité de la Musique of the Paris Philharmonie with the Armenian State Symphony Orchestra featuring French and Armenian composers.
Up until the 2024/25 season, Sergey Smbatyan will be Principal Guest Conductor of Berlin Symphony.
Sergey Smbatyan holds the title of Honoured Artist of the Republic of Armenia and the title of “Chevalier of Arts and Letters” of France.
Sergey Smbatyan was appointed as a UNICEF National Ambassador in 2023.
Gil Shaham is one of the foremost violinists of our time; his flawless technique combined with his inimitable warmth and generosity of spirit has solidified his renown as an American master. The Grammy Award-winner, also named Musical America’s “Instrumentalist of the Year,” is sought after throughout the world for concerto appearances with leading orchestras and conductors, and regularly gives recitals and appears with ensembles on the world’s great concert stages and at the most prestigious festivals.
Highlights of recent years include the acclaimed recording and performances of J.S. Bach’s complete sonatas and partitas for solo violin. In the coming seasons in addition to championing these solo works he will join his long time duo partner pianist, Akira Eguchi in recitals throughout North America, Europe, and Asia.
Appearances with orchestra regularly include the Berlin Philharmonic, Boston Symphony, Chicago Symphony, Israel Philharmonic, Los Angeles Philharmonic, New York Philharmonic, Orchestre de Paris, and San Francisco Symphony as well as multi-year residencies with the Orchestras of Montreal, Stuttgart and Singapore. With orchestra, Mr. Shaham continues his exploration of “Violin Concertos of the 1930s,” including the works of Barber, Bartok, Berg, Korngold, Prokofiev, among many others.
Mr. Shaham has more than two dozen concerto and solo CDs to his name, earning multiple Grammys, a Grand Prix du Disque, Diapason d’Or, and Gramophone Editor’s Choice. Many of these recordings appear on Canary Classics, the label he founded in 2004. His CDs include 1930s Violin Concertos, Virtuoso Violin Works, Elgar’s Violin Concerto, Hebrew Melodies, The Butterfly Lovers and many more. His most recent recording in the series 1930s Violin Concertos Vol. 2, including Prokofiev’s Violin Concerto and Bartok’s Violin Concerto No. 2, was nominated for a Grammy Award. He will release a new recording of Beethoven and Brahms Concertos with The Knights in 2020.
Mr. Shaham was born in Champaign-Urbana, Illinois, in 1971. He moved with his parents to Israel, where he began violin studies with Samuel Bernstein of the Rubin Academy of Music at the age of 7, receiving annual scholarships from the America-Israel Cultural Foundation. In 1981, he made debuts with the Jerusalem Symphony and the Israel Philharmonic, and the following year, took the first prize in Israel’s Claremont Competition. He then became a scholarship student at Juilliard, and also studied at Columbia University.
Gil Shaham was awarded an Avery Fisher Career Grant in 1990, and in 2008 he received the coveted Avery Fisher Prize. In 2012, he was named “Instrumentalist of the Year” by Musical America. He plays the 1699 “Countess Polignac” Stradivarius and performs on an Antonio Stradivari violin, Cremona c1719, with the assistance of Rare Violins In Consortium, Artists and Benefactors Collaborative. He lives in New York City with his wife, violinist Adele Anthony, and their three children.
THE SLOVAK PHILHARMONIC ORCHESTRA was established in 1949. Two highly reputed, internationally acclaimed personalities, Václav Talich (Principal Conductor, 1949 – 1952) and Ľudovít Rajter (1949 – 1976, and the orchestra’s Artistic Director until 1961), stood at the orchestra’s birth. Other chief conductors who have played an instrumental role in the orchestra’s musical evolution include Tibor Frešo, Ladislav Slovák, Libor Pešek, Vladimir Verbitsky, Bystrík Režucha and Aldo Ceccato. Between 1991 and 2001 the role of Chief Conductor and Music Director was held by Ondrej Lenárd. In the 2003/2004 season Jiří Bělohlávek acted as Artistic Director. In 2004 Vladimír Válek became Chief Conductor, and was succeeded by Peter Feranec in 2007 – 2009. From 2009 – 2016 the French conductor Emmanuel Villaume was the orchestra’s Chief Conductor and from 2017 until 2020, the British conductor James Judd. Leoš Svárovský (from 2007 – 2018), Rastislav Štúr (from 2011 – 2019) and Petr Altrichter (for the 2018/2019 season) have been Permanent Guest Conductors of the Slovak Philharmonic. From the 2020/2021 season Daniel Raiskin became Chief Conductor of the Slovak Philharmonic Orchestra.
Among the many guest conductors who have worked with the Slovak Philharmonic over the years, international personalities like János Ferencsik, Witold Rowicki, Václav Smetáček, Karel Ančerl, Franz Konwitschny, Arvīds Jansons, Václav Neumann, Hermann Abendroth, Antonio Pedrotti, Sir Eugene Goossens, Sir Malcom Sargent, Roberto Benzi, Kurt Masur, Sir Charles Mackerras, Carlo Zecchi, Serge Baudo, Claudio Abbado, Kurt Sanderling, Zdeněk Košler (who, thanks to his longstanding fruitful collaboration with the orchestra, was awarded the honorary title of ‘Chief Conductor in memoriam’ in 1996), Riccardo Muti, Karl Richter, Kirill Kondrashin, Leif Segerstam, Alain Lombard, Sergiu Celibidache, Thomas Sanderling, Oskar Danon, Mario Rossi, Neeme Järvi, Ken-Ichiro Kobayashi, Evgeny Svetlanov, Mariss Jansons, Christoph von Dohnányi, Dmitri Kitayenko, Otmar Suitner, James Conlon, Valery Gergiev, Alexander Rahbari, Fabio Luisi, Sir Yehudi Menuhin, Peter Schreier, Vladimir Fedoseyev, Ralf Weikert, Miltiades Caridis, Pinchas Steinberg, Peter Keuschnig, Tomáš Hanus, Jakub Hrůša, Juraj Valčuha, Tomáš Netopil, Ion Marin, Pavel Baleff, George Pehlivanian, Jun Märkl, Ilan Volkov, Wayne Marshall, Eivind Gullberg Jensen, Alan Buribayev must be mentioned, as well as composers and artists of own works like Jean Martinon, Krzysztof Penderecki a Aram Khachaturian.
The orchestra has made numerous recordings for radio, television and the music publishers OPUS, Supraphon, Panton, Hungaroton, JVC Victor, RCA, Pacific Music, Naxos and Marco Polo. The Slovak Philharmonic Orchestra regularly gives guest performances on leading European stages and at festivals. In the course of its numerous tours abroad, the Slovak Philharmonic has performed in nearly every European country, as well as in Cyprus, Turkey, Japan, South Korea, the USA and Oman.
One of the most important events of the 2019/2020 season, which had to be ended prematurely due to the coronavirus pandemic, was a trio of concerts by the SPh at the Bratislava Music Festival with the conductors James Judd, Juraj Valčuha and Pinchas Steinberg, a special concert to commemorate the Milan Rastislav Štefánik Year, gala concerts to celebrate the 70th anniversary of the Slovak Philharmonic, and the 30th Anniversary Concert of the Velvet Revolution.
The planned SPh concert tour to South Korea and Japan, which should have taken place this season, has been moved to 2023 as a result of the overall situation in the world.
