Dubai, UAE
A truly royal event takes place, when three acknowledged kings of chamber music meet for a unique concert. Maxim Vengerov, rooted in the great Russian tradition, is considered one of the best violinists of all time. Steven Isserlis is internationally acclaimed for his flawless technique and sensitive interpretations on the cello. Roustem Saïtkoulov, award-winning pianist, performs in the most important concert halls and at the most prestigious festivals worldwide.
Together, these three exceptional artists present a programme that opens with Seven Pieces For Piano Trio by contemporary composer Alexey Shor. In seven movements with very diverse inspirations, Shor showcases his melodic invention, his capacity of creating textures and telling stories through his music. A venerated cellist of his time, Dutch Joseph Hollman composed mostly for himself. His rarely performed Carmen Fantaisie for cello and piano, perfectly transmits the spirit of Bizet’s opera and gives an impression of Hollman’s virtuosic playing. Interestingly enough, George Bizet never set a foot on Spanish ground. Yet his opera is inspired by Andalusian music and especially the traditions of the Spanish Gitanos.
The title Tzigane indicates that also Maurice Ravel drew inspiration from the musicality of the Romani people. However, he turned to the traditions of the Hungarian Roma who played such an important role for the music of their native country. Originally, Ravel composed Tzigane for violin and luthéal. The luthéal, more a device than a musical instrument, was invented by the Belgian George Cloetens. Inserted into a piano, it was capable of modifying its sound so that it remembered a cimbalom. Commonly, the luthéal is replaces by a concert piano for performances, an option foreseen by the composer.
Pyotr Tchaikovsky wrote his only piano trio “à la mémoire d’un grand artiste”. The great artist he dedicated the trio to was no other than famous pianist Nikolai Grigoryevich Rubinstein who had died from tuberculosis, shortly before. The grief for his close friend explains the unconventional form of the trio in two movements that could be described as a requiem. It may surprise that Tchaikovsky, not even two years before finishing his trio, had expressed his dislike of the combination of violin, cello and piano. It must be seen as a stroke of luck in music history that he later changed his mind to create this master-piece, packed with Russian themes, expressive motives and elegiac passages.
cello and piano
violin and piano
Universally hailed as one of the world’s finest musicians, and often referred to as the greatest living string player in the world today, Grammy award winner Maxim Vengerov also enjoys international acclaim as a conductor and is one of the most in-demand soloists.
Born in 1974, he began his career as a solo violinist at the age of five, won the Wieniawski and Carl Flesch international competitions at ages 10 and 15 respectively, studied with Galina Tourchaninova and Zakhar Bron, made his first recording at the age of 10, and went on to record extensively for high-profile labels including Melodia, Teldec and EMI, earning among others, Grammy and Gramophone artist of the year awards.
In 2007 he followed in the footsteps of his mentor, the late Mstislav Rostropovich, and turned his attention to conducting and in 2010 was appointed the first chief conductor of the Gstaad Festival Orchestra. June 2014 saw Mr Vengerov graduate with a Diploma of Excellence from the Moscow Institute of Ippolitov-Ivanov with professor Yuri Simonov and he has since finished a further 2-year program of opera conducting.
Highlights of recent seasons saw Mr Vengerov opening the season of the Orchestra Filarmonica della Scala with Maestro Chailly, a Residence with Monte Carlo Philharmonic and the Philharmonie in Paris as well as a world wide recital tours. Highlights of the 22/23 season saw him in an extensive US and Canadian recital tour including Berkeley, Kansas City, New York and Toronto, and an 11 concerts tour in the UK. Other orchestral performances as a soloist include Montreal, Vienna, London, Paris and Taiwan and chamber music concerts with Evgeny Kissin and Stephen Isserliss at Carngie Hall, and in Switzerland with Simon Trpcesky and Stephen Isserliss. He also joined Aspen and Bravo Vale Festival in the States this summer in Recital, Masterclasses and Concerto performance with Fabio Luisi and the Dallas SO and celebrated 40 years on stage at the Royal Albert Hall in a big gala concert in April 2023. In 2023/24 he will open the Shanghai International Festival with Christoph Eschenbach, will embarque on another world wine Recital tour including America, South America, Europe, Asia and Australia and will perform orchestra concerts in amongst others in Vienna, Paris and Milan.
In 2020 Maxim Vengerov became Classic FM’s first solo Artist in Residence and released a new recording of Tchaikovsky's Violin Concerto with conductor Myung-Whun Chung and the Orchestre Philharmonique de Radio France, coupled with works by Saint-Säens and Ravel as well as a live recital from Carnegie Hall.
As one of Mr Vengerov’s greatest passions is the teaching and encouraging of young talent, he has held various teaching positions around the world. He currently holds the Stephan and Viktoria Schmidheiny Stiftungsprofessor at the Mozarteum University Salzburg and since September 2016 he is also the Polonsky Visiting Professor of Violin at the Royal College of Music in London. In 2018 Maxim Vengerov became the Goodwill Ambassador of the Musica Mundi School - a unique institution, which supports young talents. With the vision of democratising the access of music learning, he launched his own online platform in January 2021:www.maximvengerov.com and created an impact across 170 countries and over 190 million reach. His first year programs include partnerships with musical institutions from around the world, the Lottery Ticket program, guest artist series inaugurated with Brett Yang from TwoSet Violin, as well as his new global community group who’s initiatives include the world leading Mentoring program, rural musical communities initiative and the Musical Pen Pals program for children.
Mr Vengerov has been profiled in a series of documentaries, including Playing by Heart, which was recorded by Channel Four Television and screened at the Cannes Television Festival in 1999, and Living the Dream, which was released worldwide and received the Gramophone Award for Best Documentary in 2008.
Mr Vengerov has received prestigious fellowships and honours from a number of institutions. In 2012 he was awarded an Honorary Visiting Fellowship at Trinity College Oxford and in 2019 he received an Honorary Doctorate from the Royal College of Music London and in 2019 he received an Honorary Doctorate from the Royal College of Music London and the Order of Cultural Merit from the Palace Monte Carlo.
Mr Vengerov has also received numerous awards including Grammy Award for Best Instrumental Soloist Performance (with Orchestra) (2003), two Gramophone awards (1994, 1995), a Classical Brit Award (2004), five Edison Classical Music Awards (1995, 1996, 1998, 2003, 2004), two ECHO awards (1997, 2003) and a World Economic Forum Crystal award (2007) - honouring artists who have used their art to improve the state of the world.
He plays the ex-Kreutzer Stradivari (1727).
Roustem Saitkoulov was born in Kazan (Russia). He started playing the piano at the age of four and entered the Kazan Conservatory junior classes when he was six years old. He went on to study with Elisso Virsaladze at the Tchaikovsky Conservatory in Moscow, where he received a Diploma in Solo Piano Performance, and furthered his studies at the Hochschule für Musik und Theater Munich, where he received his Masters degree.
He is the prizewinner at numerous international competitions:
Grand Prix of the Montecarlo World Piano-Masters, presented to him by the late Prince Rainier III of Monaco; F. Busoni Competition, Bolzano, Italy; UNISA (University of South Africa) Competition, Pretoria; Concours Géza Andà, Zurich, Switzerland; Marguerite Long Competition, Paris; First Prize in the Rome Piano Competition.
Roustem Saitkoulov performs frequently with world’s renown orchestras, such as Royal Philharmonic Orchestra London, Monte Carlo Philharmonic Orchestra, Prague Symphony Orchestra, Sinfonia Varsovia, RAI Symphony Orchestra Torino, Tonhalle Orchestra Zurich, St-Petersburg Philharmonic Orchestra, Tokyo New City Orchestra and Beijing Symphony Orchestra.
His recitals take him all over the world: to Russia, China, Japan, Chile, Argentina, Mexico, the United States, Canada, South Africa, and through Europe.
He has taken part in many music festivals throughout Europe including Montreux Festival, International Festival of Piano in La Roque d’Anthéron (France), Bologna Festival, Festival Brescia-Bergamo, Merano Festival, Piano aux Jacobins (Toulouse, France), Festival de Radio France-Montpellier, Printemps des Arts de Montecarlo and Menton Festival.
He has given many concerts for subsequent radio broadcasts: France Musique, Radio Classique, DRS 2 (Switzerland), NDR Kultur (Germany). He frequently appears on television programs devoted to classical music: France 2, France 5 and Mezzo in France, and the international European channel 3SAT.
He does many CD recordings, which include albums released by EMI Classics and Dinemec Classics. More recently Master Chord Records has released his recording of the two Piano Concertos of Chopin with the Royal Philharmonic Orchestra and IndéSENS label has issued his recording of the Piano Concerto n° 1 by Dmitri Shostakovich.
Roustem Saitkoulov has an important activity in chamber music. He is a regular partner of the violinist Maxim Vengerov and performs with such artists as Jean-Jacques Kantorow, Pierre Amoyal, Dmitri Sitkovetsky, Olivier Charlier, Xavier Phillips, Laurent Korcia, Svetlin Roussev, François Salque, Mayuko Kamio and Sayaka Shoji.
Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a uniquely varied and distinguished career as a soloist, chamber musician, educator, author and broadcaster.
As a concerto soloist he appears with many of the world’s leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras, He gives recitals every season in major musical centres, and plays with many of the world’s foremost chamber orchestras, including the Deutsche Kammerphilharmonie Bremen and the Australian, Mahler, Norwegian, Scottish, Zurich and St Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello.
He works with many contemporary composers and regularly premieres new works on the international concert stage.
Read MoreRecent performing highlights include his debut with Dresden Staatskapelle, and as Artist-in-Residence with Kammerakademie Potsdam. On 21 June 2019 Steven performed with his close friend Radu Lupu at Lupu’s final-ever concert with the Lucerne Symphony Orchestra, where Steven directed pieces including Mozart’s Piano Concerto No 23 in A, K488, with Lupu as soloist. Other appearances include with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the US premiere of Thomas Adès’s Lieux retrouvés with the Los Angeles Philharmonic, following world and UK premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, all conducted by the composer; Prokofiev’s Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; Haydn’s C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer; and Shostakovich’s Cello Concerto No.1 on an Australian tour with the Australian Chamber Orchestra.
As a chamber musician, he has curated series for many of the world’s most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the Edinburgh, Verbier and Salzburg Festivals. Recent highlights include a major exploration of two musical visionaries to whom he feels particularly close and is an enthusiastic champion: Gabriel Fauré and Robert Schumann, performed over a series of four concerts at the Wigmore Hall. A specially-devised new programme ‘Composers and their Muses’, exploring three pairs of composers who provided mutual inspiration for each other’s compositions – Clara and Robert Schumann, Vitezslava Kaprálová and her teacher Martinů and Augusta Holmès and her teacher César Franck, was performed with pianist Connie Shih and performed at Wigmore Hall and on tours of the US and Japan. Other specially devised programmes have included ‘In the Shadow of War', a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; ‘Cello and Voice’, a unique series of three programmes exploring the affinity of the cello and the human voice; varied aspects of Robert Schumann’s life and music; and the music of Sergei Taneyev (teacher of Steven’s grandfather, Julius Isserlis) and his friends and students. For these concerts Steven was joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon. In 2019, he also undertook a major US tour with his longtime friends and collaborators Joshua Bell and Jeremy Denk, performing trios by Mendelssohn, Shostakovich, Ravel and Rachmaninov
On his 60th Birthday on 19 December 2018, Steven was joined by a group of his closest musical friends Radu Lupu (in a rare guest appearance), Sir András Schiff, Connie Shih, Ferenc Rados, Joshua Bell, and Sir Simon Keenlyside, both performing with and for him. Isserlis also performed the world premiere of For Steven Isserlis 60, composed especially for him by Márta and György Kurtág. The concert was preceded with favourite literary readings by actor Gabriel Woolf. He also takes a strong interest in authentic performance. Recent Hyperion releases include a recording of the Chopin Cello Sonata, Schubert’s Arpeggione sonata and other works by the two composers with Dénes Várjon, using an Érard piano of 1851. In recital, he gives frequent concerts with harpsichord and fortepiano. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. Past seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven’s own cello; and recordings with Robert Levin of Beethoven’s complete music for cello and piano (selected for the Deutsche SchallplattenPreis), using original or replica fortepianos from the early nineteenth century, as well as performances of the cycle in London, New York, San Francisco, Norway and Tokyo. Steven and Robert recently toured extensively in the US and Europe with Beethoven recitals, including performances of the whole cycle in Florence, Milan and Chicago.
He is also a keen exponent of contemporary music and has premiered many new works including John Tavener’s The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès’s Lieux retrouvés, Stephen Hough’s Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm's Concerto in One Movement, David Matthews' Concerto in Azzurro, and For Steven and Hilary’s Jig by György Kurtág. In 2016, he gave the UK premiere of Olli Mustonen’s of Frei, aber einsam for solo cello at the Wigmore Hall.
Writing and playing for children is another major enthusiasm. He has written the text for three musical stories for children - Little Red Violin, Goldiepegs and the Three Cellos, and Cindercella - with music by Oscar-winning composer Anne Dudley; these are published by Universal Edition in Vienna. He has also given many concerts for children, for several years presenting a regular series at the 92nd Street Y in New York. Steven Isserlis’ books for children about the lives of the great composers – Why Beethoven Threw the Stew and its sequel, Why Handel Waggled his Wig – are published by Faber and Faber, and have been translated into multiple languages. His latest book, a commentary on Schumann’s famous Advice for Young Musicians, was published by Faber and Faber in September 2016, and in the US by Chicago University Press in 2017. The UK paperback edition will be published by Faber and Faber in March 2020.
As an educator, Steven Isserlis gives frequent masterclasses all around the world, and since 1997 he has been Artistic Director of the International Musicians’ Seminar at Prussia Cove in Cornwall, where his fellow- professors include Sir Andras Schiff, Thomas Adès and Ferenc Rados. He is also a regular participant, alongside Gidon Kremer, Christian Tetzlaff and Sir Andras Schiff, in the bi-annual series ‘Chamber Music Connects the World’ at the Kronberg Academy in Germany.
As a writer and broadcaster, he contributes regularly to publications including Gramophone, The Daily Telegraph and The Guardian, has guest edited The Strad magazine, and makes regular appearances on BBC Radio including on the Today programme, Soul Music, as guest presenter of two editions of Saturday Classics, and as writer and presenter of a documentary about the life of Robert Schumann. Most recently for BBC Radio 4, he presented a documentary about his hero Harpo Marx - ‘Finding Harpo’s Voice’, described by The Guardian as “sheer charm ... a winner”; and a conversation, ‘Only Artists’, with playwright and novelist Sebastian Barry, which The New Statesman reviewed as “perfect ... strikingly and joyously something from an earlier time”.
His diverse interests are reflected in an extensive and award-winning discography. His recording of the complete Solo Cello Suites by J.S. Bach for Hyperion met with the highest critical acclaim, and was Gramophone’s Instrumental Album of the Year and Critics’ Choice at the Classic BRITS. His latest recordings include the Brahms Double Concerto with Joshua Bell and the Academy of St Martin in the Fields, and – as director and soloist – concertos by Haydn and CPE Bach with the Deutsche Kammerphilharmonie Bremen (Grammy Nominee for Classical Instrumental Solo in 2017, winner of Limelight Magazine’s Orchestral Disc of the Year in Australia 2017, and shortlisted for a Gramophone Award in the Concerto category in 2018). A special First World War-inspired disc with Connie Shih was also released in 2017, including works performed on a travel cello - now known as “the Trench Cello” - played in the trenches by WWI soldier Harold Triggs. Other recent releases include the Elgar and Walton concertos, alongside works by Gustav and Imogen Holst, with the Philharmonia Orchestra and Paavo Järvi; Prokofiev and Shostakovich concertos with the Frankfurt Radio Symphony, also under Paavo Järvi; Dvořák’s Cello Concertos with the Mahler Chamber Orchestra and Daniel Harding; and recital discs with Stephen Hough, Thomas Adès and (for BIS) a Grammy-nominated album of sonatas by Martinů, as well as works by Mustonen and Sibelius, with Olli Mustonen. His 2019 release with pianist Olli Mustonen Shostakovich & Kabalevsky: Cello Sonatas, entered the UK classical chart at Number One.
The recipient of many awards, Steven Isserlis’s honours include a CBE presented by the Queen in recognition of his services to music, the Schumann Prize of the City of Zwickau, and the Piatigorsky Prize in the USA. He is also one of only two living cellists featured in Gramophone’s Hall of Fame. In 2017, he was awarded the Glashütte Original Music Festival Award in Dresden, the Wigmore Hall Gold Medal, and the Walter Willson Cobbett Medal for Services to Chamber Music. In 2018, Steven was awarded with the Gold Medal and Certificate of Merit by the Armenian Ministry of Culture, and received the prestigious Maestro Foundation Genius Grant, awarded in recognition of his work as a dedicated educator.
He gives most of his concerts on the Marquis de Corberon (Nelsova) Stradivarius of 1726, kindly loaned to him by the Royal Academy of Music.
